PEDAGOGUES AND PERFORMERS 2011

 

  GUESTS
Lindsey Stoker Royal Northern College of Music, Manchester | Great Britain
Thomas Hauschild Hochschule für Musik, Leipzig | Germany
Radek Baborák Solo and chamber music, Academy of Performing Arts in Prague | Czech Republic

 

  COURSE ORGANISERS
Jindřich Petráš Professor at the Janáček Academy of Musical Arts and Brno Conservatoire | former solo hornist in Czech Philharmonic Orchestra | Czech Republic
Zdeněk Divoký Czech Philharmonic Orchestra | Senior Lecturer at the Prague Conservatory and Academy of Performing Arts in Prague | Czech Republic
Jiří Havlík Czech Philharmonic Orchestra | Nové Strašecí | Czech Republic

 

  RECITALS, CONCERTS, LECTURES
Duo Shilkloper Arkadij Shilkloper | Russia, Jon Sass | USA
Kateřina Javůrková horn | Czech Republic
Mikuláš Koska

horn | Czech Republic

Jana Boušková

harp | Czech Republic

 

  EXHIBITIONS
  Ricco Kühn | Milan Jiráček and sons | Amati - Denak Kraslice | Arnold Kinkal | Libor Tománek

 

  PIANO ACCOMPANIMENT
Jarmila Panochová Prague Conservatory | Academy of Performing Arts in Prague | Czech Republic
Jana Goliášová Janáček Academy of Music and Arts | Brno | Czech Republic

 

  COURSE SECRETARIAT, CZECH-ENGLISH TRANSLATION
Anna Havlíková, Jitka Havlíková

BIOGRAPHIES - PEDAGOGUES
Lindsey
Stoker

Lindsey is the senior horn tutor at the Royal Northern College of Music in Manchester, where she has been teaching since 1990. She studied at the RNCM with Mike Purton and Derek Taylor. While at college she played principal horn in performances of the Schumann Konzertstuck and the Tippett Sonata for Four Horns, including a performance at the International Horn Festival, Detmold. She played principal horn with the ECYO from 1987 to 1988.
In 1989 she was appointed third horn with Sadler's Wells Royal Ballet, but left to join the Hallé Orchestra as third horn the following year, becoming Assistant Principal Horn in 1992. Lindsey left the Hallé in 2000 and currently pursues a freelance career alongside the demands of having three young children. She is a member of Zephyr with whom she gives regular chamber music concerts across the UK.
She is passionate about promoting the horn and frequently leads School workshops, founding RNCM Horn Club to encourage local young hornplayers. She has given Masterclasses and Workshops with the British Horn Society and in the summer of 2010 coached the horn section of EUYO in Vienna.

Lindsey Stoker

Thomas
Hauschild

Thomas Hauschild (*1964) studied the Frecnh horn by H. Märker, G. Opitz and E. Penzel. Apart from horn playing, he participated in various chamber ensembles as a pianist (e.g. piano – violoncello duo), and also worked as an accompanyist in prof. Penzel’s class. In 1989 he start playing the horn on the Rheinische Philharmonie, in 1990 he became a member of the Staatsorchester Stuttgart and he also taught at Hochschule für Musik in Stuttgart. Between years 1993-1998 he was an assistant professor at Jugend-Festspieltreffen in Bayreuth and lectured at the Masterclass in chateau Weikersheim. From 1997 to 2000 he was among the jurors of the competition for young players "Jugend musiziert". As a natural nad baroque horn player he collaborated with the outstanding, specialised ensembles Bachakademie Stuttgart (dir. H. Rilling) and Barockorchester Stuttgart (dir. F. Bernius). Since 1996 he has been succesfully pursuing the carreer of a conductor; in 2001 he gained a professorship of French horn at Hochschule für Musik v Lipsku (Germany).

Thomas Hauschild

Radek
Baborák

Radek Baborák (*1976) was born into a family of musicians. He studied French horn with professor Karel Křenek, and at the Prague Conservatory with Bedřich Tylšar.
The list of competition awards and prizes he won is incredible: Prague Spring 1991, Geneva 1993, ARD Munich 1994, Grammy Classic for the Czech Republic 1995, Markneukirchen 1996, Davidoff Award 2001, Mostly Classic Award 2002.
His repertory, documented by numerous solo CDs, includes the complete music literature for the French horn of all historical periods and styles. Among the unique recordings he made we should mention the CD of cello suites by J. S. Bach arranged for the French horn (Octavia Records, 2002).
He performed as a soloist with a number of outstanding orchestras and conductors (James Levine, Seiji Ozawa, Daniel Barenboim).
Radek Baborak is also a co-founder of several chamber ensembles: the wind quintet Afflatus (First Prize at the ARD competition in Munich), Baborák Ensemble (a string quartet with the French horn), the duo with harpist Jana Boušková, or Baborák Horn Chorus.
He played solo horn in the Czech Philharmonic (1994 – 1995), later in the Munich Philharmonic, and between years 2000 – 2009 in the Berlin Philharmonic.
Currently he teaches the French horn at the Academy of Performing Arts in Prague, and simultaneously studies conducting at the same school.

Radek Baborák

Jindřich
Petráš

Jindřich Petráš studied French horn at the Brno Conservatoire, and the Janáček Academy of Music and Performing Arts in Brno under Professor František Šolc. During his studies, he became a member and later Principal Horn of the Brno State Philharmonic Orchestra. In 1985 he took up the post of Principal Horn in the Czech Philharmonic Orchestra.
A laureate winner of competitions in Munich, Markneukirchen, Geneva and Prague, as a soloist he regularly performs both at the orchestral concerts with many leading orchestras, and at recitals with piano. He is also a member of the Prague Horn Trio.
Since 1996 Mr. Petráš has been teaching horn playing at Brno Conservatoire and at the Janáček Academy of Music and Performing Arts, being promoted to professorship in 2007; currently he is Head of Departement of Wind Instruments. He is regularly invited to become a jury member in national and international competitions, both in solo and chamber playing.

Jindřich Petráš

Zdeněk
Divoký

Zdeněk Divoký studied French horn at the Brno Conservatoire and the Janáček Academy of Music and Performing Arts under professor František Šolc. He is a laureate winner of competitions in Munich, Markneukirchen and Prague.
In 1973 he joined the Brno State Philharmonic Orchestra, and since 1979, he has been a member of the Czech Philharmonic Orchestra, combining his position in the CPO with teaching post at the Prague Conservatory and at the Music Faculty of the Academy of Performing Arts in Prague. He is presently a member of the Prague Horn Trio and the Czech Wind Harmony. During his career, he recorded for Supraphon, Hänssler, Pony Canyon, Naxos; among others, he recorded a solo CD "Horn concertos by Antonio Rosetti" (with the Czech Chamber Orchestra).
He specializes in natural horn playing; in 2007, he gained a Ph.D. degree, his thesis dealing with the history of natural hor playing in Central Europe.

Zdeněk Divoký

Jiří
Havlík

Jiří Havlík studied French horn and composition at Prague Conservatory and at the Music Faculty of the Academy of Performing Arts in Prague. He won several prizes at international music competitions (Concertino Praga, The Prague Spring), as well as Special Award of the Czech Ministry of Culture, for the composition and performance of his Concerto for French Horn and Strings.
Member of the Czech Philharmonics since 1979, he has also been actively pursuing solo and chamber playing careers (e.g. with the Prague French Horn Trio and the Czech Wind Harmony). He is known for his compositions such as Three Fugues for Three French Horns and Piano, or Mileniana for a Horn Octet, or Stages for Brass Instruments, as well as a piano cycle titled (Anti)Clavierness. As a conductor he participated in the international project of Czech-German Symphonic Orchestra in 2007, 2008 and 2010. In 2002 he co-founded the chamber orchestra Camerata Filarmonica Bohemia, featuring as its dramaturgist and artistic leader. Since 2003 he has been conductor of Benda Chamber Orchestra (Usti nad Labem).
He has been a co-organizer of the Ameropa International Music Festival and Chamber Courses (1997-2007) and The Prague Horn International Music Festival (since 1997).

Jiří Havlík


PIANO ACCOMPANIMENT
Jarmila
Panochová

Jarmila Panochová studied at the Brno Conservatoire and later at the Prague Academy of Performing Arts in Prague, graduating from the class of professor Ivan Moravec. In 1976 she succeeded in passing to the final round of the Citta di Senigallia International Piano Competition in Italy. It was, however, as a pianist in the purely chamber music sense that Jarmila chose to enter the professional music scene. She works in conjunction with young soloists and chamber ensembles at the forefront of musical life today. Many are already winners of prestigious international competitions. Jarmila is presently engaged as an official accompanist at the Prague Conservatory and at the Music Faculty of the Academy of Performing Arts in Prague. Since 1993 she has co-operated with Prague Horn Trio both on concert stage and at Hornclass International summer courses.

Jarmila Panochová

Jana
Goliášová

Jana Goliášová is a graduate of the Brno Conservatoire and Janáček Academy of Music in Brno. Active mainly in the field of chamber music, Jana Goliášová regularly accompanies wind instrumentalists at international competitions and master classes. She has performed in Germany, Switzerland, Poland, Austria and Holland. Jana Goliášová is presently a faculty member of the wind and percussion music department at Janáček Academy of Music in Brno, where she is professionally engaged also as Vice Dean of Academic Affairs.

Jana Goliášová

CONCERTS - ENSEMBLES - GUESTS
Duo Shilkloper

Arkady Shilkloper - Horn and Alphorn, Jon Sass - Tuba
Original compositions by Arkady Shilkloper. A delicate combination of jazz, classical music, ethno and improvisation.

Arkady Shilkloper & Jon Sass Die beiden hatten es nie leicht. Sie gelten als Außenseiter auf dem Jazzparkett. Schwerfällig das eine, steif das andere. Tuba und Waldhorn, diese zwei glanzvollen Orchesterinstrumente, sind die Eckensteher der Jazzgeschichte. Nur gelegentlich durften sie hier mitspielen immer dann, wenn etwas Besonderes gebraucht wurde; etwas, das die anderen Instrumente eben nicht konnten. Dann flackerte etwas von ihrer Einzigartigkeit auf. Das Horn, das einstige Signalinstrument, das in der Romantik so gefühlvolle Kantilenen vortrug – es wurde von Arrangeuren wie Gil Evans als schillernde Klangfarbe wiederentdeckt. Die Tuba hat im Jazz immerhin eine Tradition: sie durfte in New Orleans mitmarschieren, um die Bässe anzugeben. Als die Bands sesshaft wurden, war die Tuba ausgemustert worden. Aber in Miles Davis’ und Gil Evans’ „Birth Of The Cool“-Ensemble bekam sie plötzlich bewegliche Linien zugeteilt. Später holten Individualisten unter den Arrangeuren wie Carla Bley oder Henry Threadgill Horn und Tuba in ihre Bands, um neue Texturen zu erkunden. Solistisch aber sind beide Instrumente nur in den Händen weniger Meister genutzt worden. Julius Watkins entlockte dem Horn plötzlich Bebop-Figuren; Ray Draper, Bill Barber und Don Butterfield befreiten die Tuba von ihrem elefantösen Image. Mit Arkady Shilkoper und Jon Sass gibt es nun zwei improvisationskundige Spieler, die an Horn und Tuba wiederum ganz neue Maßstäbe setzen. Was sie ihnen an geschmeidigen Melodien, an packenden Groove-Linien, an Effekten und Sounds entlocken, ist geradezu atemberaubend. Shilkoper ist dabei über seine brillante Handhabe des Waldhorns hinaus auch noch einer der weltbesten Alphornisten und phrasiert auf dem riesenhaften Volksmusikinstrument, als sei es für den Jazz geschaffen worden. Kennen gelernt haben sich die beiden Blechbläser im Vienna Art Orchestra. Arkady Shilkloper, geboren 1956 in Moskau, hatte zunächst eine klassische Karriere bis ins Bolshoi Orchester geführt. Im Duo mit dem Pianisten Misha Alperin und später im „Moscow Art Trio“ entwickelte er sich zum führenden Hornisten der improvisierten Musik. Der New Yorker Jon Sass, Jahrgang 1961, arbeitete mit der Elite internationaler klassischer Musiker ebenso wie mit der Performance-Vokalistin Erika Stucky oder im R&B Bereich. Wenn sich beide nun zusammen tun, dann entsteht je nachdem eine Big Band im Kleinformat, eine Marching Band im modernen Gewand; dann entsteht ein subtiles Kammerensemble oder einfach eine höllisch groovende Jazzgruppe. Horn und Tuba – die beiden können auch bestens alleine miteinander spielen, und es kommt vollwertige, aufregende, begeisternde Musik heraus.
Odilo Clausnitzer
Duo Shilkloper

Arkadij
Shilkloper

Arkady Shilkloper (*1956) was born in Moscow; at the age of six he started to play alto horn in a brass orchestra. He beacme a cadet at the Moscow Military Music School, played in the military orchestra at the Lenin Military Political Academy. From 1976 he studied horn at the Gnessins Russian Academy of Music and took courses in jazz improvisation at the Moscow College of Improvised Music. Between 1978-1985 he was a member of the Bolshoi Theatre Orchestra, 1985-1989 a member of the Moscow State Philharmonic Symphony. His first jazz ensemble was a duo French horn – double bass, with Michail Karetnikov; between years 1985 to 1989 he was a member of “Three O“ trio, with Sergey Letov (saxes, flutes) and Arkady Kirichenko (tuba, vocal). In 1988 he started to played in duo with Mikhail "Misha" Alperin (piano), who probably influenced Shilkloper most. Their first ECM album "Wave Of Sorrow" (1989) was the first Russian album on ECM. Later they together produced several other projects (the CDs „North Story“, „First Impression“, „Her first Dance“). In 1990, with clarinetist Sergey Starostin, they created the Moscow Art Trio, an ensemble combining the Russian folklore, jazz and improvisation, which became a popular representative of Russian ethno-jazz (the latest CD: Instead of Making Children, 2006). Arkady Shilkloper has also collaborated with lots of world renowned jazz ensembles and individuals (e.g. Pago Libre Quartet, Vienna Art Orchestra, Mauve Trio – he received the prize „CD of the Year“ in 2002 in Austria, for the CD „Mauve“). Since 1998 he also includes other instruments into his performances – e.g. theAlphorn, (CD „Pilatus“, 2000), didgeridoo or Wagner tuba. As a soloist he played in more than thirty countries round the world; four times he visited Hornclass (1992, 1993, 1997, 2007), in 2005 he gave a recital in Prague, Rudolfinum.

Arkadij Shilkloper

Jon
Sass

(*1961) was born in New York. First he was taking private lessons with Sam Pilafian, and at the age of sixteen he became a student of the Music and Art High School in Harlem, where he and his firends founded the first "Sassafras Brass Quintet" and began playing in the streets of New York. His further musical growth was considerably influenced by excellent musicians as Howard Johnson, Joe Daley, Warren Deck and Roger Bobo. in 1979 Joe graduated and was invited for his first European tour with Vienna Art Orchestra. After that he studied at the Boston University, won a scholarship and in 1985 got a bachelor’s degree in playing tuba. He travelled to Vienna again, where he briefly co-operated with the Dutch blues guitar player Hans Tessing, and played in the group "Art of Brass Vienna". His musical friends and partners include for example Ray Anderson, Boston Brass, Empire Brass, Butch Morris, David Murry, Gideon Kremer, Bobby Shew etc. His discography lists more than 70 recordings of various genres and styles; being inspired by classical music, soul, groove, funk and blues, his personal style can be called "crossover". Apart from admirable improvisations, he also arranges and composes music. Recently he has been organising „Creative worshops“ all around the world.

Jon Sass

Kateřina
Javůrková

Kateřina Javůrková started to play the French horn at the age of nine. Since 2006 she has been studying at the Prague Conservatory with professor Bedřich Tylšar. She is the winner of several international competitions: International Brass Competition Brno 2005 and 2009, and „Federico II di Svevia“ in Italy 2009. She co-operates with both student and professional ensembles, and is a member of Belfiato Quintet. In 2009 she became a member of the Prague Philharmonia Academy.

Kateřina Javůrková

Mikuláš
Koska

Mikuláš Koska started his musical education playing violin, and changed to the French horn at the age of nine. He graduated from the Janáček Conservatory in Ostrava, now he studies at the Janáček Academy of Musical Arts with J. Petráš and Z. Rzounková. His awards include the third place at the international competition Concertino Praga, absolute winner of the Conservatory Competition, two first places at the International Brass Competiton in Brno (2007 – 1st category, 2009 – 2nd category). He performed as a soloist with Janáček Philharmonic Ostrava, Martinů Philharmonic Zlín and with Moravian Philharmonic Olomouc. He is a member of several chamber ensembles, and also regularly co-operates with the philharmonic orchestras in Ostrava and Brno.

Mikuláš Koska

Jana
Boušková
Jana Bouskova has to her credit some truly remarkable artistic triumphs, a record which has turned her to a much sought-after harpist and a regular guest of the world´s foremost concert platforms, appearing both as a soloist and as the partner of the likes of Mstislav Rostropovich, Yuri Bashmet, Patrick Gallois, Maxim Vengerov, Janne Thomsen, Sharon Kam, Christian Tetzlaff, Gustav Rivinius, and others.
Jana Bouskova studied at the Prague Conservatoire and then pursued her schooling at the Ostrava University, in the class of Professor Libuse Vachalova. A Fulbright scholarship grant then enabled her to study at America´s renowned Indiana University, with Professor Susann McDonald.
Miss Bouskova appears regularly on prestigious domestic and international concert platforms and festivals. Jana Bouskova receives regular invitations to take part in international harp congresses and symposia, and to teach at numerous master classes in various parts of the world.
Since 2000 she has been a member of the Artistic Board of the Prague Academy of Music, and since 2005 she has held the post of principal harpist with the Czech Philharmonic Orchestra. Since 1993 she has been a professor of the Prague Conservatoire, in October 2005 she was appointed as the harp professor at the Brussels Royal Conservatory and in October 2006 also as the professor at the Academy of Music in Prague. Jana Bouskova has to her credit over twenty CDs made for Czech and international labels, apart from which she has made programmes for various radio and television companies.
Miss Bouskova performs on a harp built by the American firm, Lyon & Healy, which she acquired for her victory in the U.S.A. International Harp Competition in 1992.
Jana Boušková


OFFICE, CZECH-ENGLISH TRANSLATION
Jitka
Havlíková
Jitka Havlíková Anna Havlíková Anna
Chadimová-Havlíková

Hornclass 2009

Participants 2009